Punce (Cure)

𝗣𝘂𝗻𝗰𝗲 (𝗖𝘂𝗿𝗲)
Kolektiv Igralke in Tjaša Črnigoj
Hrvaška in Slovenija

𝗗𝗼𝗸𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝗻𝗮 𝗽𝗿𝗲𝗱𝘀𝘁𝗮𝘃𝗮 𝗼 𝘁𝗿𝗶𝗱𝗲𝘀𝗲𝘁𝗹𝗲𝘁𝗻𝗶𝗵 𝗱𝗲𝗸𝗹𝗲𝘁𝗶𝗵, 𝗻𝗷𝗶𝗵𝗼𝘃𝗶𝗵 š𝗲𝘀𝘁𝗱𝗲𝘀𝗲𝘁𝗹𝗲𝘁𝗻𝗶𝗵 𝗺𝗮𝗺𝗮𝗵 𝗶𝗻 𝗼𝘀𝗲𝗺𝗱𝗲𝘀𝗲𝘁𝗹𝗲𝘁𝗻𝗶𝗵 𝗯𝗮𝗯𝗶𝗰𝗮𝗵.

To je predstava o odraščanju, prvih spolnih izkušnjah in spolni vzgoji različnih generacij žensk. Kaj jim je pomenila izguba nedolžnosti? Koliko jih je bilo strah neželene nosečnosti? Kaj jih je pri odkrivanju spolnosti opolnomočalo?
Ob intimnem izkopavanju družinskih pripovedi se ustvarjalke soočajo tako s sramom in bolečino kot tudi z užitkom ter nas vabijo k razmisleku o stvareh, ki ne želijo ostati zamolčane. Predstava pri izrisovanju menjavanja časa, družbenih in političnih sistemov izhaja iz “preteklega” in “preživetega”, a nagovarja realnosti današnjega dne neposredno v čelo.
Poleg pogovorov z mamami in babicami ustvarjalk so predstavo navdihovale delavnice in pogovori s sodobnimi sedemnajstletnicami, ki odraščajo na Reki.

𝗢 𝘂𝘀𝘁𝘃𝗮𝗿𝗷𝗮𝗹𝗸𝗮𝗵:
𝗞𝗼𝗹𝗲𝗸𝘁𝗶𝘃 𝗜𝗴𝗿𝗮𝗹𝗸𝗲 sestavljajo štiri prijateljice in diplomantke programa igra in mediji na Akademiji uporabnih umetnosti na Reki pod mentorstvom Radeta Šerbedžije in Lenke Udovički. Poleg prijateljstva jih druži ljubezen do igre in družbeno angažiranega gledališča. Po uspehu predstave Babice (Bakice, 2020), ki je gostovala na Prestopih 2023, Mladih levih, v okviru berlinskega Theatertreffen-Stückemarkta ter še marsikje, je njihova najpomembnejša predstava Črna volna (Crna vuna, 2022), ki je bila leta 2023 nominirana za nagrado za humanizem v gledališču, ki jo podeljuje organizacija Baščovjek.
𝗧𝗷𝗮š𝗮 Č𝗿𝗻𝗶𝗴𝗼𝗷 je gledališka režiserka, ki se posveča praksam snovalnega in dokumentarnega gledališča. Eden njenih najodmevnejših projektov zadnjih let je Spolna vzgoja II (2022/2023), serija tudi v mednarodnem prostoru večkrat nagrajenih predavanj-performansov o seksualnem užitku žensk. Za svoje delo je poleg drugih prejela tudi nagrado ženske o ženskah ter Župančičevo nagrado. Po predstavi Babice so Punce drugo sodelovanje med Igralkami in režiserko Tjašo Črnigoj.

Režija in dramaturgija: Tjaša Črnigoj
Avtorstvo: Sendi Bakotić, Ana Marija Brđanović, Tjaša Črnigoj, Anja Sabol, Tijana Todorović, Vanda Velagić
Zasedba: Sendi Bakotić, Ana Marija Brđanović, Anja Sabol, Vanda Velagić
Soavtorstvo koncepta in kostumografija: Tijana Todorović
Scenografija: Ivan Botički, Tijana Todorović
Video: Mara Prpić
Oblikovanje svetlobe: Marin Lukanović, Tjaša Črnigoj
Prevod in nadnapisi: Tina Malič
Tehnično vodenje predstave: Marin Lukanović
Projekt financirajo: Ministrstvo za kulturo Republike Slovenije, Mestna občina Ljubljana, Ministrstvo za kulturo in medije Republike Hrvaške, Mesto Reka, Primorsko-goranska občina, Sklad Kultura nova
Podpora pri logistiki: Rezidenca Kamov
Trajanje: 60 minut

Ustvarjalke se zahvaljujejo babicam Emici, Veri, Dragici, Viktoriji in teti Eugeniji ter mamam Mirandi, Dajni, Danijeli in Editi. Dekletom, ki so anonimno sodelovala na delavnicah, in dekletom, ki so prisotna na videu. Maši Magzan, Jasenki Grujić in Aleksandru Štulhoferju hvala za pomoč pri raziskavi.
In hvala Viti Tijan; njen članek Moje telo, moja last (časopis Kult Prve reške hrvaške gimnazije, 2021–2022) je navdihnil predstavo.

Vstopnice na moment.si/samopostrezna ali vstopnice@prestopi.si
Vse info: prestopi.si

Festival Prestopi/Crossings nastaja v produkciji Kulturno-umetniškega društva Moment.

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𝗚𝗶𝗿𝗹𝘀 (𝗖𝘂𝗿𝗲)
Kolektiv Igralke and Tjaša Črnigoj
Croatia and Slovenia

𝗔 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗶𝗿𝘁𝘆-𝘆𝗲𝗮𝗿-𝗼𝗹𝗱 𝘄𝗼𝗺𝗲𝗻, 𝘁𝗵𝗲𝗶𝗿 𝘀𝗶𝘅𝘁𝘆-𝘆𝗲𝗮𝗿-𝗼𝗹𝗱 𝗺𝗼𝘁𝗵𝗲𝗿𝘀, 𝗮𝗻𝗱 𝘁𝗵𝗲𝗶𝗿 𝗲𝗶𝗴𝗵𝘁𝘆-𝘆𝗲𝗮𝗿-𝗼𝗹𝗱 𝗴𝗿𝗮𝗻𝗱𝗺𝗼𝘁𝗵𝗲𝗿𝘀.

This is a performance about growing up, first sexual experiences, and the sex education of different generations of women. What did losing their virginity mean to them? How much did they fear unwanted pregnancy? What empowered them in discovering their sexuality?
Through an intimate excavation of family narratives, the creators confront shame and pain as well as pleasure, inviting us to reflect on things that demand to be spoken about. By depicting shifts in time, society, and political systems, the performance draws from the “past” and the “lived experience” yet directly addresses the realities of today.
In addition to conversations with the creators’ mothers and grandmothers, the performance was inspired by workshops and discussions with contemporary seventeen-year-old girls growing up in Rijeka.

𝗔𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗮𝘂𝘁𝗵𝗼𝗿𝘀:
The 𝗞𝗼𝗹𝗲𝗸𝘁𝗶𝘃 𝗜𝗴𝗿𝗮𝗹𝗸𝗲 consists of four friends and graduates of the Acting and Media programme at the Academy of Applied Arts in Rijeka, mentored by Rade Šerbedžija and Lenka Udovički. In addition to their friendship, they are united by their love for acting and socially engaged theatre.
Following the success of Grannies (Bakice, 2020), which was presented at Crossings 2023, Mladi levi, Berlin’s Theatertreffen-Stückemarkt, and numerous other venues, their most significant performance to date is Black Wool (Crna vuna, 2022). In 2023, this production was nominated for the Humanism in Theatre Award, presented by the organization Baščovjek.
𝗧𝗷𝗮š𝗮 Č𝗿𝗻𝗶𝗴𝗼𝗷 is a theatre director specializing in devised and documentary theatre practices. One of her most acclaimed recent projects is Sex Education II (2022/2023), a series of internationally award-winning lecture-performances on women’s sexual pleasure. For her work, she has received, along with other recipients, the Women on Women Award and the Župančič Award. After Grannies, Girls is the second collaboration between Kolektiv Igralke and director Tjaša Črnigoj.

Director and dramaturge: Tjaša Črnigoj
Authors: Sendi Bakotić, Ana Marija Brđanović, Tjaša Črnigoj, Anja Sabol, Tijana Todorović, Vanda Velagić
Cast: Sendi Bakotić, Ana Marija Brđanović, Anja Sabol, Vanda Velagić
Co-author of the concept and costume designer: Tijana Todorović
Scenography: Ivan Botički, Tijana Todorović
Video: Mara Prpić
Lighting design: Marin Lukanović, Tjaša Črnigoj
Translation and surtitles: Tina Malič
Technical director: Marin Lukanović
Project financed by: Ministry of Culture of the Republic of Slovenia, City of Ljubljana, Ministry of Culture and Media of the Republic of Croatia, City of Rijeka, Primorje-Gorski Kotar County, Kultura Nova Foundation
Logistical support: Kamov Residency
Duration: 60 minutes

The creators express their gratitude to grandmothers Emica, Vera, Dragica, Viktorija, and aunt Eugenija, as well as to mothers Miranda, Dajna, Danijela, and Edita. To the girls who participated anonymously in the workshops and those who appear in the video. Special thanks to Maša Magzan, Jasenka Grujić, and Aleksandar Štulhofer for their help with the research.
And thanks to Vita Tijan; her article Moje telo, moja last (My Body, My Property; Kult magazine of the First Croatian Gymnasium in Rijeka, 2021–2022) was the inspiration for the project.

Tickets: moment.si/samopostrezna or vstopnice@prestopi.si
Info: prestopi.si/en
Production: Moment