Compagnia Abbondanza/Bertoni: FEMINA

Oder, gostovanje. Femina.

Femina, ne ženska. Femina, več kot ženska. Femina, koncept, mehanizem, ideal (?) ženske, ki je vselej v postajanju, nikoli tam, vselej skoraj, nikoli prava. Nečloveška, več kot človeška. Oblečene v nežno, koži podobno spodnje perilo in bleščeče, blondinkam podobne lasulje, ostanke ženske odtujenosti, ali pa emancipacije, potopljene v neusmiljen, sintetičen zvok albuma Dysnomia skupine Dawn of Midi, s praznim in čistim, geometrijskim ozadjem, štiri plesalke se poženejo v neprekinjeno gibanje, tok zamenljivih gibov in gest, njihovih variacij, odstopanj, ki postajajo njihove sublimacije, ki se izogibajo osebnosti ali individualnosti v korist funkcionalnosti ali celovitosti, ter postajajo mehanizem ali mehanične skulpture ženskosti, navidezno razvezane od ponosa ali bolečine, socialnosti ali solidarnosti, da bi občinstvo na koncu pod strogo, skoraj inženirsko koreografijo prisile, ali pa privolitve, razbralo utrinke krhkosti in človeškosti. Vaja v skupnem, razvezanem ženskem boju? Utopična ali distopična ženska osvoboditev? Vselej v postajanju, nikoli tam, vselej skoraj, nikoli prava. Nečloveška, več kot človeška. Na koncu? Rez v zvoku in sceni. Izrez ženske in ženskosti se lahko konča le z rezom odrešenja, brez katarze, sublimnega gona Femine (2023).
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Compagnia Abbondanza/Bertoni
FEMINA
#oder #gostovanje

2. APR 2025 / 20:00
Španski borci, Ljubljana (SI)

V sodelovanju s Kinom Šiška in s podoporo Italijanskega inštituta za kulturo v Sloveniji

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Vstopnice
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Podpora:
Mestna občina Ljubljana – Oddelek za kulturo
Ministrstvo za kulturo Republike Slovenije

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Stage, guest performance. Femina.

Femina, not the woman. Femina, more than the woman. Femina, the concept, the mechanism, the ideal (?) of the woman, always becoming, never there, always quite, never right. Inhuman, more than human. Clad in delicate, skin-like lingerie and glossy, blond-like wigs, vestiges of female alienation, or is it emancipation, immersed in the relentless, synthetic sound of Dysnomia by Dawn of Midi, with an empty and clean, geometric backdrop, four dancers engage in a continuous movement, a flow of interchangeable moves and gestures, their variations, deviations, only to become their sublimations, eschewing personality or individuality in favour of functionality or totality, becoming a mechanism or a mechanical sculpture of femininity, seemingly disassociated from pride or pain, sociality or solidarity, ultimately, for the audience to discerne glimpses of fragility and humanity under the rigorous, almost engineered choreography of coertion, or is it consent. An exercise in common, disassociated female struggle? A utopian or dystopian female liberation? Always becoming, never there, always quite, never right. Inhuman, more than human. At the end? A cut, in sound and set. A cut-out of the female and the feminine can only end in a cut of deliverance, no catharsis, of the sublime drive of Femina (2023).
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Compagnia Abbondanza/Bertoni
FEMINA
#stage #guest

2 APR 2025 / 20:00
Španski borci, Ljubljana (SI)

In collaboration with Kino Šiška and with the support of the Italian Cultural Institute in Slovenia

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Supported by:

City of Ljubljana – Department of Culture
Ministry of Culture of the Republic of Slovenia